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As with TLAD, new radio and in-game television programming is included. Which is certainly a shame, because it’s still a memorable experience in their oeuvre.
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The Ballad of Gay Tony
Grand Theft Auto: The Ballad of Gay Tony (official abbreviation TBoGT) is the second episode of two downloadable add-ons for Grand Theft Auto IV for the Xbox 360.
At the end of the game Tony and Luis have resolved trust issues they have with each other, successfully erased their debt and tell Yusuf Amir they won't franchise, leading to the moral that loyalty to "family" (blood or otherwise) should not be sold for all the money in the world.
Story
Luis Fernando Lopez is being held hostage at the Bank of Liberty, during a robbery involving Niko Bellic, Patrick McReary, Derrick McReary and Michael Keane.
The Ancelottis establish that Gracie has been kidnapped because of the diamonds and are pointing the blame at Tony and Luis. As well as a new storyline, missions and characters, it also features new game mechanics, vehicles, weapons, side missions, collectibles and achievements.
Characters:
- Luis Lopez and "Gay" Tony Prince: The two main characters of the story, Luis being the playable protagonist.
Bulgarin phones Luis, telling him to go to the roof of a building in midtown Algonquin. Mama Lopez also pleads with Luis to leave both clubs and gangs to go to college and get a boring job, much like his siblings have done. Very few if any characters make it the entire game without telling a lie; sometimes because of business, other times because of a social imbalance (such as Yusuf wanting to impress Luis, or Tony mocking Mori behind his back while flattering him in person) - which gives the impression that no one is to be trusted.
It's a rave you won't want to quit anytime soon.
10Jules45
Cars, crime, controversy. Their dialogue, which appears early in the game but curbs later on, shows one of the first decisions of loyalty that Luis made in his life - a long list of issues of loyalty, dependability and appreciation with his family (including, for all intensive purposes, A&H) led Luis to work for Gay Tony and look to him as his father figure.- Gracie Ancelotti and Evan Moss: Gay Tony's two best friends, Gracie being the daughter of the Ancelotti don and Evan being Tony's boyfriend.
During the exchange, members of the The Lost (led by Johnny Klebitz) attack and kill Evan and acquire the diamonds. A playground for vapid celebrities and tragic socialites, Algonquin's nightlife scene is all about glitz and glamour, and owning the two hottest clubs in town (Hercules and Maisonette 9) makes Tony the undisputed party king of Liberty City.
Bulgarin flees the scene and amidst the chaos the diamonds fall into a dump truck headed the opposite direction. Tony is not on drugs whenever Gracie and Evan are gone, and it is also notable that Luis calling them annoying in junction with criticizing Tony's drug habits.
During the exchange, members of the The Lost (led by Johnny Klebitz) attack and kill Evan and acquire the diamonds. A playground for vapid celebrities and tragic socialites, Algonquin's nightlife scene is all about glitz and glamour, and owning the two hottest clubs in town (Hercules and Maisonette 9) makes Tony the undisputed party king of Liberty City.
Bulgarin flees the scene and amidst the chaos the diamonds fall into a dump truck headed the opposite direction. Tony is not on drugs whenever Gracie and Evan are gone, and it is also notable that Luis calling them annoying in junction with criticizing Tony's drug habits.
Another important set of characters, though they do not effect the main storyline, are the fictional celebrities met in the Club Management missions.
Join Luis as he fights to save Tony's empire from the brink of collapse and to make his own mark in a world defined by decadence and excess, all while keeping his mother, Adriana Yanira Lopez quiet and stopping his friends, Armando Torres and Henrique Bardas from calling him a sell out. Luis takes the risk and shoots Bulgarin, who drops the grenade causing it to explode.
This character has to be given particular praise for his bad dancing to 'Arab Money' and hilarious conversations with Luis, calling him every name under the offensive sun.
Like the two previous mass murdering characters, Luis isn't a cheery fellow (despite being a rampant rabbit) and it's roughly ten minutes before everything goes guns up and he actually has a reason to be unhappy.
But Dan Houser seems to have learned how to strike the odd balance to make his characters sympathetic.
Tony isn’t written to be some exceptional LGBTQ character, but also turns out to be likable in the end. All that out of the way, there's a reason why this is one of the most celebrated entries in the franchise - essentially coming off as a quasi take on Bret Easton Ellis' 'Glamorama', this lights-flashing, dance, dance, raining-confetti-but-the-confetti-are-bullets, the-party-never-stops, glitz'n'glamour high-life after-hours side of L.C.
pumps up the volume on the over-caffeinated city that never sleeps (or quits coughing up blood).