1992 gay film

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The Code heavily restricted what could be shown on screen and prohibited LGBTQ+ representation, but in doing so encouraged audiences to engage in queer codes and subtexts.

Rockford Peach Dorothy “Dottie” Kamenshek was one of the inspirations for the fictional Dottie – she was also a lesbian and later married fellow player Margaret Wenzell. Changes are made.

This time round, the central characters included Maxine Chapman (Chanté Adams) – a black lesbian player who is rejected from the racially segregated league – and her black transmasculine uncle Bertie (Lea Robinson). IN ANTIQUE TIME.

When I saw this short film for the first time, there were 2 parts that I loved, from the most incredible part and the most austere part.

This is not pornography, but for remembrance in the eternal hope of capturing time. a film who lost, scene by scene, its message. The budget and quality is no better than a student film. Of course, queerness was far from impossible in either decade, although it was often, as in the film, hidden from those who did not know where to look for it.

The second world war is in full thrust and the men are away fighting, which threatens the shut down of major league baseball.

something missing and this fact transforms it in a kind of demonstration. It's the funniest science fiction comedy film that I've ever seen. It's also a comedy. The close relationship, styling and characterisations of best friends Doris and Mae (and the extra connotations of the actors) evoke a coded butch/femme couple. Watching the series, however, was validating, as what secretly made the film mean so much to me was made visible.

No, not just filmmaking this should be in the louvre next to the mona lisa, playing 24/7.

I feel like all the year ive been alive before watching this masterpiece were a waste, if i was to describe how this movie afected my life it would be sum like this: i wake up (thinking about GNFOS) i have breakfast (thinking about GNFOS), watch GNFOS (thinking about GNFOS), until the late hours of the night, make love to my wife (thinking about GNFOS) and sleep (repeat until my demise)

The Pledge of Allegiance to GNFOS: "I pledge allegiance toGNFOS, and to GNFOS for which it stands, one movie under God, indivisible, with liberty and justice for all.", should be rendered by standing at attention facing GNFOS with the right hand over the heart.

Persons in uniform should remain silent, face GNFOS, and render the military salute.

booneh

It's about context, people...

Okay, people come on this site and comment that it is sexist, racist (especially towards Asians) and homophobic. Nicely produced and well acted.

With so many forgettable shorts out there; this one is memorable and quite good.

Kirpianuscus

a lesson

Or only model for the relation father-son.

1992 gay film

No surprise then that I am not alone in my love for the film.


Read more: Hidden gems of LGBTQ+ cinema: celebrating the wonderful slippery queerness of Penda’s Fen


There may be, as reluctant Rockford Peaches manager Jimmy (Tom Hanks) shouts in one of the film’s most quoted lines, “no crying in baseball” – but the film never fails to leave me in tears.